Tania Runyan: Writings on Poetry & Faith

Nativity Suite

Posted by Tania Runyan on December 16, 2009

Several years ago I wrote this set of poems as a gift to family and friends. I thought I would share them again. You will notice that Anna and Simeon are included but not the Magi; I wanted to include only those people from Jesus’ earliest days, not his toddlerhood. Yes, I am that Type A. Surprised?

I must also credit Willow Springs, in which the “Mary” installment first appeared.

If I don’t post until then, a blessed Christmas to everyone.

I. The Shepherd

Last night I watched another wet lamb

slide into the dark and beheld this same

drowsy beauty:  a mother bending toward

her nursing young. New limbs trembling.

Matching rhythms of breath.

The angels told us to praise and adore.

I spend my life trying not to love

such small things. But again and again

I carry my new lambs and name them,

play songs for them on the reed pipe,

bind their broken legs and search for them

in the foothills, until they are sold and worn,

served up, split open on an altar

and I feel my own blood rushing to the edge.

II. Joseph

Of any birth, I thought this

would be a clean one,

like pulling white linen

from a loom.

But when I return to the cave,

Mary throws her cloak

over the bloody straw and cries.

I know she wants me to leave.

There he lies, stomach rising

and falling, a shriveled pod

that does nothing but stare

at the edge of the feeding trough

with dark, unsteady eyes.

Is he God enough

to know that I am poor,

that we had no time

for a midwife, that swine ate

from his bed this morning?

If the angel was right, he knows.

He knows that Mary’s swell

embarrassed me, that I was jealous

of her secret skyward smiles,

that now I want to run into these hills

and never come back.

Peace, peace, I’ve heard in my dreams.

This child will make you right.

But I can only stand here,

not a husband, not a father,

my hands hanging dumbly

at my sides. Do I touch him,

this child who is mine

and not mine? Do I enter

the kingdom of blood and stars?

III. Mary

The angel said there would be no end

to his kingdom. So for three hundred days

I carried rivers and cedars and mountains.

Stars spilled in my belly when he turned.

Now I can’t stop touching his hands,

the pink pebbles of his knuckles,

the soft wrinkle of flesh

between his forefinger and thumb.

I rub his fingernails as we drift

in and out of sleep. They are small

and smooth, like almond petals.

Forever, I will need nothing but these.

But all night, the visitors crowd

around us. I press his palms to my lips

in silence. They look down in anticipation,

as if they expect him to suddenly

spill coins from his hands

or raise a gold scepter

and turn swine into angels.

Isn’t this wonder enough

that yesterday he was inside me,

and now he nuzzles next to my heart?

That he wraps his hand around

my finger and holds on?

IV. The Angel

Oh, God, I am heavy

with glory. My head thunders

from singing in the hills.

This night will come once.

Enough bright lights.

Enough shouting

at shepherds in the fields.

Let me slip into the stable

and crouch among

the rooting swine.

Let me close my eyes

and feel the child’s breath,

this wind that blows

through the mountains and stars,

lifting my weary wings.

V. Anna the Prophetess

Widows of Jerusalem, I too was once

young enough to believe my life mattered.

When I woke, the sun rose for me. I tucked lilies in my hair.

Now I am eighty years a temple dweller.

What a wonder of faith! they proclaim. Truth is,

I cry in the dark. I beg priests for bread

and pick insects from my hem. But today,

an infant came to be blessed. He curled

into the crook of my arm, and when his eyes

wandered to mine, I remembered every hope

stored in my childhood’s heart: gazelles

and henna shrubs, doves perched in the crags.

I touched his face—

that skin we were meant to wear forever.

*         *          *

Widows of Jerusalem, this is what I know.

You are not dying. You are falling slowly

into another world, where bread will grow

from a thousand fragrant fields; where lilies

will clothe you in sunrisen petals;

where everyone will call you beloved child again.

VI. Simeon

As a boy, I lay awake

at night, jealous of the stars

that rose over my roof

and climbed into the lap of God.

They whispered to him,

and he whispered back.

He loved their cool blue devotion.

I prayed as the moon

traveled, as the night birds

sang in the cedars.

He is the Rock.

His works are perfect.

Upright and just is he.

But at sunrise, I always

felt alone. Perhaps

I didn’t pray long enough.

Perhaps my words

got trapped in the rafters.

Now I am old. Ah, bed,

receive these heavy bones.

I have seen my salvation.

I close my eyes, and warmth

spreads through my skin

like the laying on of hands.

Go ahead and rise, stars.

Whisper about the origins

of the universe, your secret,

holy fires.  Tonight I will remember

the child I held to my chest.

I will pull my cloak to my face

and drift in the sweetness of milk.

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Nibbling Back Time

Posted by Tania Runyan on December 7, 2009

As we near the end of the year, it hardly seems original to talk about how fast time passes. A year, a decade, my entire adult life–they have all fluttered into some mysterious storehouse of synapses in my brain. Most events and memories lie dormant until some trigger–a picture, a song, a smell–brings them into bud again.

Sometimes I feel time passing so quickly I almost experience a sort of breathless panic. 2010 seems so hard-edged and space-age, so beyond the scope of anything I imagined when I was asked as a fourth-grader, back in 1981, to write an essay describing what I would be doing in the year 2000. (I said I would be a single woman living in the mountains and raising Siberian huskies. Ironic, given my aversion to large dogs. And the fact that I’ve been married for 16 years. And live in Illinois.)

We have no control over the future, of course, but we can write poetry. Poetry can do the hard work of preserving the moments that make up our lives. And I believe the Holy Spirit has used poetry, both others’ and my own, to transform me as I reflect upon the rushing past.

This beautiful poem found in Scintilla, a magazine out of Wales, captures the way I want to live in 2010.

At Staplehurst

by Hubert Moore

No need to cross the bridge

to catch the train to London.

It sides up to you

and what you miss

is rabbits lounging in the present

green and easy

on the other side.

You don’t have to climb

the steps and look

at how they don’t consider

when, how long, how soon,

but keep time tender

by nibbling back and back

its blade-tip as it grows.

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What They Can Do

Posted by Tania Runyan on November 24, 2009

Lately I’ve been challenging myself to reframe the way I see parenting. I’ve been trying to control my kids less and learn more about who they are. Amazing how my giving up some control has actually helped our household find more sanity and harmony.

Anyway, the following poem by Paul Willis, along with a recent local kids’ production of A Christmas Carol (I can’t help it–gets me every time), has helped rekindle my wonder toward my own children.

But before the poem, some of you may remember my posting from a few weeks back about how tough it is to write good joyful poems. Well, right now I’m reading a whole slew of them in Paul Willis’ new book, Rosing From the Dead. It’s an excellent read just out from WordFarm press. Put it on your Christmas list!



What He Can Do

after Elizabeth Holmes


Bounce a flat basketball between his legs

without looking.  Dive through a breaking wave.

Find anything on the Internet in six seconds.


Batter a drum till the walls shake.

Sag his jeans to the lowest

inch possible.  Refuse to sing.


Polish his cymbals until they shine

with his own reflection.  Call out the note

of the vacuum cleaner—a middle C.


Skate off a curb with both hands

deep in his pockets.  Sleep till noon.

Hold a dog the way a dog wants to be held.

Posted in inspirations, poetry | Tagged: , , , | 1 Comment »

Fleas, Hornpipes, and the Good Old Days

Posted by Tania Runyan on November 16, 2009

For the past few months I’ve been teaching myself Celtic-style music on the mandolin and violin (I mean, um, fiddle). The music has awakened some kind of energy in me that I haven’t felt in awhile. Just yesterday I stole away in a church hallway before rehearsal and fiddled some jigs and hornpipes from memory. I felt so free and at home, as if entering a doorway into a room I’ve had my whole life but just recently discovered.

I know with time, however, my playing will get worse. Technically, it will improve with practice. But the more I learn about Celtic music, the more I will discern my own limitations and create higher standards for myself. This process needs to happen, of course, but will I still be able to love the music in the same way I do now?

Flash back 18 years. (Really??) It’s my first college poetry class, and I’m all enthusiasm. While I had always been a decent writer, I was refreshingly ignorant of poetry. (I had planned on becoming a playwright–not that I knew a whole lot about that, either!) This was before my eyes were opened to the world of rejection slips, book publication, and conferences where guys in elbow patches give talks about “Line Breaks and Post-Modern Gender Politics.” I just loved playing with words. I distinctly remember the first line of my first poem for that class. We were to write a blessing or a curse. My choice: a curse on fleas. The line: “Oh, black bug of borrowed blood.”

I repeated that line so much, and still remember it to this day, because it was simply a kick to say. Corny, yes, but what fun! I’m trying to get that original energy back into my writing. One way is by “collecting words” and playing around with them. (See the book Poemcrazy for ideas.) The other is procrastinating by writing a blog about poetry.

We are reminded in the Bible to have the faith of a child. Not a naive or ignorant faith, but a faith full of energy (think kids), wonder, and delight. I think the creative life and the spiritual life work in concord in this way. So this week I ask, Lord, please refresh my wonder in you. And rekindle my wonder in words.

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Who the Meek Are Not

Posted by Tania Runyan on November 9, 2009

I think Mary Karr may be my favorite poet writing about matters of Christian faith today. In fact, reading this poem gives me that breathless “Oh, I wish I wrote that” feeling. Such a stunning and truthful piece. This poem does not preach or moralize but sears my mind with an image that spurs me toward spiritual understanding and growth. This is what I want to do in my work!

Who The Meek Are Not

by Mary Karr

…..

Not the bristle-bearded Igors bent
under burlap sacks, not peasants knee-deep
in the rice-paddy muck,
nor the serfs whose quarter-moon sickles
make the wheat fall in waves
they don’t get to eat. My friend the Franciscan
nun says we misread
that word meek in the Bible verse that blesses them.
To understand the meek
(she says) picture a great stallion at full gallop
in a meadow, who—
at his master’s voice—seizes up to a stunned
but instant halt.
So with the strain of holding that great power
in check, the muscles
along the arched neck keep eddying,
and only the velvet ears
prick forward, awaiting the next order.

Posted in inspirations, poetry | Tagged: , , , | 1 Comment »

The Thing You Must Remember

Posted by Tania Runyan on November 5, 2009

I read this poem with a student the other night. She had no assignments with her for our tutoring appointment, so I pulled this out of my bag of tricks. It ended up being serendipitous.

I’ve read this poem many times before, but this is the first time I saw it as a spiritual metaphor. I believe this is ultimately a poem of joy.

The Thing You Must Remember

by Maggie Anderson

The thing you must remember is how, as a child,

you worked hours in the art room, the teacher’s

hands over yours, molding the little clay dog.

You must remember how nothing mattered

but the imagined dog’s fur, the shape of his ears

and his paws. The gray clay felt dangerous,

your small hands were pressing what you couldn’t say

with your limited words. When the dog’s back

stiffened, then cracked into white shards

in the kiln, you learned how the beautiful

suffers from too much attention, how clumsy

a single vision can grow, and fragile

with trying too hard. The thing you must

remember is the art teacher’s capable

hands: large, rough and grainy,

over yours, holding on.

Posted in inspirations, poetry, tutoring | Tagged: , , , | 1 Comment »

Gritty Joy

Posted by Tania Runyan on November 4, 2009

Last week I finished putting together a new poetry collection, which I am currently  calling Simple Weight. One night I read through the whole thing in one sitting to see how it felt. “Hey, not too bad,” I said to myself. “But dang, these poems are depressing.”

Why do I keep writing these things? I live a very happy life. I can’t say I’ve ever really suffered. I have no chip on my shoulder and nothing to prove. So why the darkness, the death, the failure, the doubt? Could it be that my subconscious writer knows that it takes some level of genius to pull off joy with any authenticity?

The complexities of suffering present so many juicy, irresistible opportunities for powerful symbols and metaphors. Suffering is automatically perceived as more gritty, more human, more “real.” Happiness, however, is the easy smile, the child’s cloying laugh, the cheesey end zone dance. And try to write about the dreaded “joy of the Lord” believers are supposed to display in their lives, and you may as well just give up and start importing the Precious Moments clip art.

This is not to say I’ve never written an explicitly joyful, spiritual poem. But they all pretty much start off with some sort of theological angst and end up with my traipsing around in the woods somewhere. Nature has been my joy-poem cop-out. They’re all starting to sound the same, give or take a few variations in species of insects and wildflowers.

I think I’ve been writing long enough to find a fresh perspective, a new angle on joy. I’m just not sure how to find it right now. And that really bums me out.

Posted in poetry, process, subject matter | 4 Comments »

A day of scintillating English instruction

Posted by Tania Runyan on November 1, 2009

As many of you know, I’m an English tutor for students in the Stevenson High School district (Long Grove, Buffalo Grove, Lincolnshire), Vernon Hills, Libertyville, and other suburbs. I’ve spent my Saturdays and Wednesday nights working with students since Lydia was two months old! As much as I love hanging out with my little ones, it’s very rewarding getting out of the house to talk about clauses and topic sentences in great detail. (I am not being sarcastic. I get very jazzed when a student and a semicolon click.)

Today I had a little bit of everything:ACT, vocabulary, expository essays, and an application essay for law school. Throw in some M&Ms for Halloween, and I’d say it was a successful learning experience for all!

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